Nonfiction

Originally a poet, South Korean writer Han Kang has 'interwoven her textual practices encompassing poetry, essay, and novels.' Her book Human Acts (translated by Deborah Smith), a provocative testimony of the Gwangju massacre and simultaneously a lyrical rumination on how to narrate the event, is the outcome of Han's project on state violence from Gwangju to Buenos Aires. This study by Heewon Chung seeks to read Human Acts as a literary product of the postmemory generation, arguing that the novel's aesthetic characteristics of intermediality, intertextuality, and polyphony should be considered in order to grasp the various types of trauma transmission in the text. Read the full article online or in the print issue of the magazine.

A deeply moving and measured piece of life writing, which lays bare the experience of abortion and its aftermath. With an arresting narrative voice, Karachi-based writer Sadia Khatri explores questions around gender, ritual, and remembrance amid the refrains of grief.

In its inaugural year, Wasafiri was joined by five Editors at Large based in Southeast Asia and Aotearoa New Zealand. As part of our Wasafiri at Large series, each Editor at Large has shed a valuable light on their local literary scene.

Wasafiri’s ‘Meditations’ is a series that features creative and personal responses to new literature, asking writers to seek connections with themselves, their own work, and the text they’re reading.

In this reflective essay, Durre Shahwar, Wasafiri's Writer-in-Residence, reflects on her journey to autofiction, the genre's 'slippery and elusive' capacity for deeper, emotional truths, and the writerly work of reaching beyond the self into community and into new ways of seeing.

In this exclusive extract from Wasafiri 114: Windrush:

We’re pleased to share an exclusive extract from '"An Act of Politicised Attention": War and the Writer-Witness', our review essay from Wasafiri 113. The essay features writing on three texts in translation – What Have You Left Behind? by Bushra al-Maqtari, translated by Sawad Hussain; Lucky Breaks by Yevgenia Belorusets, translated by Eugene Ostashevsky; and Five Days Untold by Badr Ahmad, translated by Christiaan James – where the writers write about war — 'a war that is not a memory, a war that is not seen from abroad, but war as it is felt daily'.

Wasafiri is pleased to publish the pieces shortlisted for the 2022 Queen Mary Wasafiri New Writing Prize. The poems, essays and short stories in this series showcase the best new writing from the best new writers across the globe — in all their diversity and complexity. In Haniya Habib's evocative piece of life writing, she examines the passing of time both within a person's life, and within relationships.

In this exclusive piece, Aanchal Malhotra, Life Writing judge for the 2023 Queen Mary Wasafiri New Writing Prize, looks to her own work on archiving and making alive again the memories and histories of Partition, dwells on her recent foray into fiction following years of writing non-fiction…

In this profound essay in fragments, Wasafiri's Writer-in-Residence Durre Shahwar explores the slipperiness of language, and the 'missed connections within or due to language'; learning Urdu, and how the 'hand movement of writing Urdu is akin to drawing'; and translation:

In this exclusive piece, Leila Aboulela, Fiction judge for the 2023 Queen Mary Wasafiri New Writing Prize, looks back to the beginning of her writing life – including her long relationship and publication history with Wasafiri – and considers the intrigue of the lingering image, offering writing advice to potential prize entrants. 

In this exclusive extract from 'Season' by Rebecca Tamás, a slow, moving meditation on ritual and the nonhuman life which opens our spring issue, Wasafiri 113, we see the seasons change – from spring to summer – during the early days of the pandemic.

In this essay, Stephanie Sy-Quia reflects on the five languages in her family, learning and un-learning language…

In this exclusive extract from Wasafiri 112: Reimagining Education, Kavita Bhanot writes about Sathnam Sanghera’s much-lauded book, Empireland: How Imperialism Has Shaped Modern Britain, and questions what kind of 'decolonising' work the book is really doing by offering what she terms as a 'balanced' history of of the violence and exploitation of empire.

In this passionate and joyful article – accompanied by a poem from her debut collection Cane, Corn & Gully – poet, dancer, and choreographer Safiya Kamaria Kinshasa explores her experience teaching writing through movement, and the complicated nuances of Barbadian culture and identity. The text is a celebration of learning, listening, and moving as a community.

In this exclusive extract from Wasafiri 111: Translating Lives, Jennifer Wong interviews fellow poet Will Harris on his debut collection RENDANG, and the craft, experiences, and ideas that went into writing it. You can read the full excerpt in Wasafiri 111.

In this visual essay, including exclusive photos, Olga U Herrera explores the work of Wendy Nanan, and her dedication to capturing the nuances of her own life and the world around her.

In this lyrical, layered essay, author Sophie Jai examines the experience of writing and publishing her debut novel Wild Fires , and the ways in which history resonates on through centuries and generations. Wasafiri 110:

In this fluid, lyrical piece of life writing, Dur e Aziz Amna reflects on a study abroad program in Paris, and in doing so, interrogates the idolisation of canons, her longing for literary forefathers, and the ideas and forces that went into creating her debut novel, American Fever.

Wasafiri’s ‘Meditations’ is a new series that features creative and personal responses to new literature, asking writers to seek connections with themselves, their own work, and the text they’re reading.

Wasafiri is proud to publish the shortlisted works of the 2021 Queen Mary Wasafiri New Writing Prize. These poems, essays, and short stories detail a range of emotions and experiences, produced by skilled new writers from all over the globe.

Wasafiri is proud to publish the shortlisted works of the 2021 Queen Mary Wasafiri New Writing Prize. These poems, essays, and short stories detail a range of emotions and experiences, produced by skilled new writers from all over the globe.

In 2016, when Gina Miller challenged the government's authority to trigger Article 50 to leave the EU, it catapulted her into the public eye, and resulted in a stream of misogynistic and racist abuse.

Wasafiri is proud to publish the shortlisted works of the 2021 Queen Mary Wasafiri New Writing Prize. These poems, essays, and short stories detail a range of emotions and experiences, produced by skilled new writers from all over the globe.