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24 June 2017

Dogs Who Like Fish by Zillah Bowes

Dogs Who Like Fish

 

The football field in Siolim’s still green,

hopeful after yesterday’s monsoon rain.

Only the dogs are out, sleeping sideways

 as if fallen in constellation from the sky

 

like storm drops. They jump up at sharp 

sunfall, shake their tan coats of dun sand, 

chase together after white bubbler crabs 

then line up by the black shore net 

 

ready for their fish-wait, even until dawn.

As the catch shallows to tail height 

they leap just behind the fishermen, 

nosing the taut blue hem of the mesh

 

until the fish are drained bare of sea:

pony fish, pearl spot, pomphret, ghol, 

whip fin majarra, hilsa ilisha, dhomma 

and all the tiny silver belly fish,

 

each one a mirror of the day’s edge,

each last dance before a pack of strays.

-

 

Sun Birds 

 

i

At the base of the lion-white Se Cathedral

an egret ripples his slender neck.

 

As I pass through the security gate,

bong, bong, bong, his tender eyes search

 

for this sweet-sounding creature.

He steps his pronged toe behind a guard,

 

one claw pushing her khaki sari into earth.

I join a sea of foot-forwarding pilgrims,

 

suddenly aware I’m in line to bow before

three-toothed, shrivelled Saint Francis

 

in a glass cabinet, the pane above his head

wiped of kisses by a sweat-beaded assistant.

 

ii

In horizon sun a crow steals half a chapatti

discarded by teenage trippers from Panjun 

 

lying on loungers with a bottle of Johnny Walker

demanded from the boy at Riverside Beach Cafe.

 

There aren’t enough breasts so they’ve left for Arambol,

but not before one introduces himself to mine.

 

The crow watches them leave, sets his legs

on the shack like a man and shrieks ownership.

 

He claws the spoil to his nest in the high cross

of a coconut palm, an ever-refinable work 

 

in ochre leaf fronds and vermillion towel fibres.

He pecks the chapatti. Luxurious salt waters his eye.

 

-

 

The Stages of Craving for an Impossible Someone

 

   1.

You want to hold me near the black water.

In my mind, I’m already there,          

                     your breath at my nape.

We turn, stilled, on a flat stone.

The calcium in my limbs fizzes; 

the tiny edges of you fuse with me.

 

   2.

My body is a full water:          

                       I leak a trail of daisies.

 

   3.

What will happen if we meet?

 

   4.

The pheasant watches me

from her dry path. 

She lifts off,          

                      rolls ungainly

over the hedge. 

Her squawk scolds me.

  

5.

I walk the long grass towards the largest tree;

rain spreads on my jacket. 

Wet fields shine forgiveness. 

I walk the river home.

 

-

 

The Night Kingdom

 

Listen to me as I try to reach

above the Himmalayas 

to the night kingdom, 

that slim band of plateau 

below Everest and her sisters.

 

Listen to my marching, the crunch 

of my feet on winding tarmac, 

scree, earth and snow. 

I’m looking for light in the unlit, 

listen to my scrabble for it.

 

All I’ve heard is there’s a tree, nude,

like a birch but not, with moss fingers 

where all the grey birds sit. 

They’re not grey, they’re rainbowed 

but they’ve shed all their colour.

 

They’ve shed all their names.

I know a yellow breast who lives there. 

He called to me on my balcony, 

sitting on the weathered steel top, 

his webbing on the ornamental curve.

 

He called to me every day last year.

He told me of the night kingdom, 

above the Himmalayas, 

where’s there’s light in the unlit. 

Listen to my scrabble for it.

--

 

Zillah Bowes is an artist, filmmaker and writer. Her poems have been published in magazines and anthologies including Wasafiri, Mslexia, The North and Poetry Wales. She has won the Wordsworth Trust Prize and Poems on the Buses Competition, and was shortlisted for the Ginkgo Prize/AONB Best Poem of Landscape, Manchester Poetry Prize and Alpine Fellowship Writing Prize. She has received the Royal Holloway Emerging Writer Fellowship and a RSL Literature Matters Award. Zillah was a Hay Festival Writer at Work and received a Literature Wales Bursary and Creative Wales Award in poetry. She also works with spoken and written poetry as an artist including her film work Allowed, which was listed for the Aesthetica Art Prize and won Zealous Amplify: Environment, and her digital work Gwawr / Dawn, which won Honorable Mention in the Alpine Fellowship Visual Art Prize. She was awarded the Future Wales Fellowship 2023-2025.
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