Felicity Gee

Prior to opening Bandi’s The Accusation, I was already filled with immense curiosity and presentiment, the weight of the author’s precarious position pressing heavily upon me.

‘People are trifling, their lives meagre and fleeting. But this, Nana, thinks, is also what makes them loveable.’ … Nana is the central figure in a tightly woven triptych formed in childhood, completed by her older sister, Sora, and former neighbour Naghi.