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Wasafiri’s ‘Meditations’ is a new series that features creative and personal responses to new literature, asking writers to seek connections with themselves, their own work, and the text they’re reading.

Isabel Hofmeyr and Charne Lavery, colleagues from the Oceanic Humanities for the Global South project based in Johannesburg, attended a conference of the Standing Committee on Humanities and Social Sciences (SC-HASS) of the international Scientific Committee on Antarctic Research (SCAR) in Ushuaia…

For many days it did not snow; the skies were clear and the valley was still. Then it snowed for weeks, a gentle but persistent snow that buried the earth. At first, the snow settled lightly on the land, making the fields shine out in a white brilliance.

‘A raincoat?’ Ettie Pebble’s puffy fingers fumbled with the buttons of the coat. She was talking to herself as she looked at the large white plastic discs looped through their button holes. She was perplexed. Simple actions had become hard. How did that happen? The raincoat was bright yellow.

They were calling it disaster communism. At the meetings they encouraged people to orientate themselves toward ‘the common good’, recognising disaster as an ongoing state of emergency, as the very fabric of the old way. Aude struggled to make sense of the coming days, let alone months and years.

Dimuth’s father had lost his job. He was an accountant, CIMA-qualified, still a few years from retirement; the family had outstanding medical bills and loan repayments on the land in Ragama. Dimuth didn’t know what to do.    … Dimuth told Meena this in the middle of the quad .

After Sabrina Benaim … My house is falling down. It is falling down, but  … slowly.

Ever wondered what your favourite author’s first drafts look like? Or which book they love that nobody’s heard of? Wasafiri Wonders is a series that asks these questions for you.  … Describe your first drafts in one sentence. Surprising, even to myself.

Ever wondered what your favourite author’s first drafts look like? Or which book they love that nobody’s heard of? Wasafiri Wonders is a series that asks these questions for you.  … Describe your first drafts in one sentence.  … I write messy, kind of corny first drafts.

We're excited to announce a new series of free digital events, Transformative Testimonies: Writing and Human Rights, taking place 17 - 23 May, 2021. All events are free to attend. In December 2020, Wasafiri launched issue 104: Human Rights Cultures.

Black is tired. Black would like to make a statement: Black is tired Black’s eyes vacant, arms leaden, tongue can’t taste shit stomach cannot compress death. Black would like to state:

The history of migration in the UK is also a history of food. And the history of British food is also a history of its cities.

‘ I need you, Simi, please call . ’   …   … I message back.  ‘ Working   til  two. Then I’ m all yours . ’   …   … But a t two,  I’m  h ungry .    …   … ‘ I need you. ’     …   … I  ignore  it .    …   … ‘ G ot to be at the doctors before  three.

Writer and curator Kadija Sesay writes about co-curating Khadija Saye: in this space we breathe for The British Library, reflecting on spirituality and storytelling in British-Gambian culture, art as resistance, and bonds between mothers and daughters.

Do you want to submit to the 2021 Queen Mary Wasafiri New Writing Prize for Fiction, Life Writing, and Poetry, but you're not sure what 'life writing' looks like? Let Shivanee Ramlochan show you. I began writing poems not because I was inspired, but because I was compelled.

  i. Muladhara If we could reconstruct the temple of our bodies, we all know what we’d change first. A little demolition work in the zone of belly, some gutting around hips and bum, a coat of paint after weather-stripping the face.

Octavia Poetry Collective for Womxn of Colour was founded in 2015 by Rachel Long in response to the lack of inclusion in UK poetry and the academy. It has gone on to foster some of the most talented poets in Britain. Based at the Southbank Centre in London, the collective has read at venues from Tate Modern to Latitude Festival, led workshops at The Poetry School and The Serpentine Galleries, and been featured in The Guardian and on the BBC’s World Service.

Dr James Bradley – an Environmental Scientist at Queen Mary, University of London – reflects on the climate crisis and responds to Robbie Arnott's 'Warmer Waters', published as part of the Queen Mary Wasafiri Global Dispatches initiative, an essay series of exchanges and conversations between creative writers and academics.

Armed with a BSc (Hons) in Economics from the London School of Economics, and a MA in Global Cinemas from the School of Oriental & African Studies (SOAS), Asim Abbasi is a British-Pakistani film director, screenwriter, and producer.

Wasafiri is excited to announce that we have expanded our global team of editors by recruiting five Editors at Large based in Indonesia, Malaysia, Singapore and Aotearoa New Zealand.

In this piece for Global Dispatches, writer Robbie Arnott looks at the continued problem of emissions even during COVID-19 lockdowns.

Watch Jennifer Wong read her poem 'Houhai' on our YouTube channel.

My father chose the flattest stones,   … skimming them out to sea,   … and taught me never   … to walk on a beach   … without filling my pockets   … with pebbles. When was  it   … that he learnt to skim? And who taught him?   … I know small things   … about that boy.

Our winter 2020 issue – Wasafiri 104: Human Rights Cultures – makes space for South-South connections and conversations, focusing on four post-conflict countries – Kenya, Rwanda, Colombia, Argentina – bringing together the literatures that follow in the wake of war.