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In this short story, Eve Newstead intertwines themes of family, care, love, childhood, self harm, and body image to capture a tender moment.

In this rallying piece Meena Kandasamy – Poetry judge for the 2024 Queen Mary Wasafiri New Writing Prize – traces her own journey as a writer, and sheds light on the importance of authenticity in poetry. She also talks about the types of poems that inspire her and what she is looking for in this year’s submissions.

This poem by Jess Thayil explores one’s personal relationship to places — physical or metaphorical.

Annie Paul’s ‘Letter from Kingston’, published in our latest spring issue, Wasafiri 117: The State of the Industry, compares the global recognition of Jamaican writers and visual artists, highlighting the disparity in their success and the debates surrounding Jamaican writers and artists who choose to remain in the Caribbean versus those who emigrate, focusing on the complexities and nuances of this decision.

Ever wondered what your favourite author’s first drafts look like? Or which book they love that nobody’s heard of? Wasafiri  Wonders is a series that asks these questions for you. For this instalment, we spoke to the 2023 Wasafiri Essay Prize winner, Karthik Shankar, on his favourite reads, writing habits, and upcoming work.

In this inspiring piece, Fiction Judge for the 2024 Queen Mary Wasafiri New Writing Prize Isabel Waidner traces their own reading and writing career and explores the importance of libraries for working class writers in developing their craft.  

This life writing piece by Kayte Ferris explores past relationships and the impact of life choices through a series of items 'listed for sale'.

In this wide-ranging and generous interview with Franklin Nelson – originally published in Wasafiri 117: The State of the Industry – Margo Jefferson discusses the critic at work and play. Read and download the interview in full on the Taylor & Francis website or order our Wasafiri 117 to read it in print.

This poem by Erin Brady explores the complexities of identity, language, and family dynamics through poignant vignettes.

Wasafiri is proud to publish this exclusive extract of Amma by Saraid de Silva (Weatherglass Books, 4 April 2024), a gripping novel exploring family trauma, post-colonial displacement, and queerness.

Jen Calleja's satirical and razor-sharp lead feature, 'Custard Pies', published in our latest spring issue, Wasafiri 117: The State of the Industry, and featuring five pastel-coloured pies ('one for each heckle I've received at a panel discussion about literary translation'), dwells on the fallacies of an 'ideal translator' — including notions of fidelity, mentorship, and who has the right to translate. This short essay, similarly and characteristically spiky and acerbic, questions preconceived notions around the translator's role and work from a personal perspective.

In this short story, themes of loss, marriage dynamics, and community gossip intertwine, ultimately leading to a deeper understanding of human connection and resilience.

Nneoma Kenure’s life writing piece, both humourous and touching, reflects on the author's complex relationship with her father and his looming death.

In this poem, Princess Arinola Adegbite uses aquatic imagery to dip into questions of dual identity and the struggle for authenticity.

This reflection on 'Life in the UK' by SJ Kim explores the profound through seemingly mundane moments, such as a family meal or meeting with an editor.

Joanne Leow, co-guest editor of our winter special issue, Wasafiri 116: Shorelines: South East Asia and the Littoral, with Nazry Bahrawi and Y-Dang Troeung, introduces this online-exclusive photo essay: ‘Curating art, literature, and scholarship about the littoral zones of Southeast Asia has been unavoidably political. This photo essay by Ilya Katrinnada and Jefree Salim offers a glimpse into Orang Seletar’s indigenous lifeworlds in the straits between Malaysia and Singapore. While Katrinnada provides much needed history and context to the photographs, Jefree’s work goes well beyond ethnography, as his interview with co-guest-editor Nazry Bahrawi suggests. Indigenous storytelling through his images allows for the voices of the Orang Seletar to be heard on their terms,’ she writes.

Explore these shifting, evocative poems from three poets featured in Wasafiri 116: Shorelines: Southeast Asia and the Littoral.

Read an exclusive extract from this atmospheric, immersive, and haunting short story, which was first published in Wasafiri 116: Shorelines: South East Asia and the Littoral, our winter special issue co-guest edited by Nazry Bahrawi, Joanne Leow, and Y-Dang Troeung.

Y-Dang’s work, connections, and beliefs have profoundly shaped this special issue. To mark the arrival of Wasafiri 116, we're privileged to share this timely extract from her memoir, Landbridge, which draws attention to the US bombings of (neutral) Cambodia, following Henry Kissinger’s recent death.

Khairani Barokka, author and former editor of Modern Poetry in Translation, corresponded with Tiffany Tsao, fiction writer and translator of Indonesian literature, for Wasafiri 116: Shorelines: South East Asia and the Littoral.

In this expansive interview, Haiyan Xie talks to multiple-award winning author Yan Lianke. Together, they explore how stories resonate across different sociopolitical boundaries and the ways in which authors are reconceptualising realism.

This beautiful, moving meditation on Y-Dang Troeung’s work was written and delivered by Madeleine Thien on the occasion of a celebration of life held at the University of British Columbia on 7 March 2023.

The 2023 ESEA Literature Festival, the UK's first East and Southeast Asian literary festival, was held this September in partnership with the ESEA Publishing Network.

State of Play brings together conversations between an international line-up of poets, taking place over the course of a year. Edited by Eddie Tay, a Singapore-born, Hong Kong-based poet, and literature professor, and Jennifer Wong, a Hong Kong-born, British-based poet, and Wasafiri's former writer in residence, the anthology explores themes ranging from the sense of home and racialised expectations, community, and language. In this extract from their essay in the collection, Alvin Pang and Laura Jane Lee dwell on the 'unhomed world' and 'home-loose-ness', belonging, and nomadic beings.